Welcome to WWW Wednesday! This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words. If you participated in your own post, please feel free to leave a link in the comments, so I and others can see! Otherwise, feel free to leave a comment with your responses. I’m always happy to hear what other people are reading.
The Three Ws are:
What are you currently reading? What did you recently finish reading? What do you think you’ll read next?
It’s time for another anticipated releases post, this time for March 2019 book releases! Sorry this one is a tad bit late. The end of February ran away from me, and March has been speeding ahead.
Hope all’s been well with you. Without further delay, let’s jump on in.
What’s the book I’m most looking forward to this month?
The waking forest has secrets. To Rhea, it appears like a mirage, dark and dense, at the very edge of her backyard. But when she reaches out to touch it, the forest vanishes. She’s desperate to know more—until she finds a peculiar boy who offers to reveal its secrets. If she plays a game.
To the Witch, the forest is her home, where she sits on her throne of carved bone, waiting for dreaming children to beg her to grant their wishes. One night, a mysterious visitor arrives and asks her what she wishes for, but the Witch sends him away. And then the uninvited guest returns.
The strangers are just the beginning. Something is stirring in the forest, and when Rhea’s and the Witch’s paths collide, a truth more treacherous and deadly than either could ever imagine surfaces. But how much are they willing to risk to survive?
Why I Want to Read This: Creepy, magical forests speak to me so consistently in a way that so few other things can. I’m looking forward to meet Rhea, and the fact that there’s a cool Witch and a mysterious boy who’s somehow affecting things only sweetens the deal.
February is gone, and so is another month of reading challenges! February felt like a long month to me, despite its shortness, but at the same time, the last week barely existed. Isn’t time strange?
This month was a great success for me. While I didn’t get to everything I wanted to read (who does?), I did accomplish a great deal: Seven books during the shortest month, five of them ARCs! Catching up on ARCs has been a huge goal for me, so I’m happy to be doing it, and I’m finding some great books to be excited for release besides.
Plants are a feature of both the title and that sexy black cover of The Language of Thorns. Leigh Bardugo has crafted a short story collection full of original fairytales inspired by our own but applied to her fictional Grishaverse, and they’re all amazing. I’m always super impressed with people who can create new fairytales like this and make them feel like we’ve forgotten them but are now remembering them because that’s never easy.
Title:The Mermaid’s Voice Returns in This One Author: Amanda Lovelace Genre: Poetry Version: ARC – eBook Page Count: 210 Publisher:Andrews McMeel Publishing Synopsis:GoodReads Notable Notables: Free verse poetry, Feminism Recommended Readers: Women especially, but men should read this, too, honestly Rating: ★★★★☆
Thank you to NetGalley and the publisher for providing this ARC in exchange for an honest review.
It’s been a hot minute since I read The Witch Doesn’t Burn in This One, the second poetry collection in Amanda Lovelace’s Women Are Some Kind of Magic series. While I’ve still yet to read the first book, The Princess Saves Herself in This One, and therefore don’t have the full picture of this journey of growth, The Mermaid’s Voice Returns in This One still delivers on Lovelace’s trademark poetic voice in all its vulnerabilities and harsh truths.
I’ll go ahead and say now that The Witch Doesn’t Burn in This One ranked higher for me simply because I related to its anger, ferocity, and zeal more than I did this collection’s emphasis on trauma and healing. I also enjoyed the former’s greater usage of imagery more, since here, the imagery surrounding mermaids and their returning voice held more of a subtle place than downright literal usage. (I actually felt there was more imagery used with stars than anything else.) But that’s because this collection’s imagery was more figurative, and it encompassed the entire journey, namely that of a woman (or any reader) reclaiming their voice and at last speaking openly about the traumas of their past and how tough the healing journey is.